25. Generation Angst

With trends like OK Boomer and Millennial Sensitivity the clashes between the generations continue.
As they always have. Generational characteristics form us particularly around our peer group. They are an intrinsic part of our early experience. We remain still but the ever moving culture changes behind us. This evolution creates an inevitable mismatch between our generation, and the generations before and after us.

In terms of feelings a revolution happened.
The silent generation traumatised by War brought up children without any notion of feeling. As though feelings didn’t exist. Stiff Upper Lip. Survival literally: fear of death literally was the experience. A shortage of shelter, food, luxuries creating a cold minimal attitude to life where peoples’ feelings were not counted.

The newer generations are more in touch with feelings, and have expectations that feelings are recognised and acted on. Brought up in a more peaceful time, with more opportunity to reflect on feelings. These generations are more motivated by feelings which previous generations cannot understand. Not their experience. So they criticise.

What will feelings be like for future generations ……

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24. Go Play

Play is an important part of child development. Play initiates a curiousity and enjoyment. A conerstone of a good therapy is the ability of the person to be playfully curious about themselves. And notice. To have learnt to play in safety gives a looseness, a spontaniety. A mocking playful sense of self as being odd, quirky, nonsensical, contradictory, absurd, ridiculous.

To explore yourself skeptically, from the viewpoint of an outsider with a playful curiousity, gains awareness of who you are, how you are, and your journey taken to this point now in the present.

If you have no experience of play as a child – then the reaction is to be tight. Scenarios have to be predicted to be made safe. Unplanned happenings are frightening and provoke fear anxiety. Self protection is the big driver blocking off play and creativity. Adults are lucky to play. Most have an internal super ego that has gone beyond the role of looking after. Holding back, keeping down. Beholden to the man.

Children are allowed to play more than adults. Adults have pets to play. Laugh and encourage the pet to play is admissable. But can the adult do the same?

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23. Love or Longing?

Gia looked up and said ” … but I really love the guy” Love or Longing?
We all think we know what we mean when we hear the word love in a conversation. There is a general consensus what we mean when we say that we love (or hate) our parents, siblings, children, friends, work colleagues.

But the guy Gia is referring to – is inattentive, absent, withdrawn. She wants more from him. But he is unable or not wanting to give himself to the relationship. Neither of us can work out how or why? She blames the distance. He is a mystery to her and therefore me. Gia spends a lot of time imagining who he might be or what he feels about her. She talks about what she wants from him: a closeness, intimacy ‘a real relationship’ as she puts it. Yet this is what she calls love.

And in a way she is right. Coming from absent self absorbed parents all Gia has known is a loneliness, a gap, a missing, an emptiness. A longing for a version of love that she has never had.I feel the gap in the room between the two of us. I mishear, don’t understand, get distracted, get things wrong. Falling into the invitation of the self absorbed absent parent.

To understand that we love how we experienced early love is resisted. To be aware that we repeat our love experience – rather than create a model of a healthier love causes us pain. Gia love is longing, and the guy is the guy she loves to fuel the longing. It’s easy to think that Gia is in the wrong relationship. But is she?

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22. Shapes

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21. Attachment Regulation Spectrum

Some therapists don’t like Bowlby’s traditional Stages of Attachment Theory.
It can be over simple and doesn’t capture the complexity of the pre-verbal repeating experience. It is a helpful start to understanding transference and is a neat & easy to remember theory/model. Straight forward to put yourself in one of the stages to explain a behaviour.

An updated version called Attachment Regulation Spectrum adds a welcome complexity but still relatively simple understanding of attachment. It opens up the theory to be on a spectrum where you can have certain attachment styles in different relationships. Some relationships activate unconscious parts which create different coping strategies. And they alter & change along with the development of the relationship.

The podcast is long: and cannot escape a connection to neurology and the modern malaise of change, healing & being fixed. Versus our pre-verbal world being who we are: heal it and we stop being?

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20. Maslow & Blackfoot

Maslow travelled to study the social dynamics of the Blackfoot Tribe in the summer of 1938.
Practitoners are familiar with Maslow’s Heirarchy of Needs as a way of seeing people in relationship to their lives.

In fact the study reverses the familiar triangle of self actualisation at the top of the pyramid (being yourself) as the Blackfoot tribe saw self actualisation as a basis for life: not a goal.
The Blackfoot Tribe gave value and status to the members who gave everything away to those more in need. Wealth is owning nothing.

People in the tribe who are deviant are not excluded from the tribe. If they changed their behaviour they are redeemed. Children are treated permissively but listen to adults and elders from an early age. All members are seen as valuable through a system of community actualisation. There is no word for poverty as the community provides the basics for living.The nearest idea to poverty is the loss of family. There is a strong relationship to place and people. If you spend your whole life in the same place with the same people it is preferable to be generous and trusting.

Maslow could not fully embrace his findings against the thinking of an individualistic society. Humans needs are interdependent not heirarchical was too much against the western way of being!

Maslow like Freud with the Viennese Medical Establisment & many other luminaries throughout history with opposing ideas could not publish what they found or believed in for fear of rejection & dismissal.

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19. Triggered

In the social media age words become more than their meaning. Triggered is one of these words.
It seems to mean one someone else doing or saying something setting off a chain of emotions inside us.
Depending on the user this gets expanded into either the responsibility of the trigger or the triggered.

At worst we can feel victimised by our triggers. But if the study of ourselves is an art then our triggers are an opportunity & guide to see ourselves through painting with depth & colour. The shape and colour of ourselves is constantly changing. Shape shifting. Some triggers become better known with repetition. Some noticed, familiar but not thought about. Others remain unknown.

In our minds we can create crime scenes from triggers. We will never prove or know what happened. But we can imagine scenarios leading upto the crime scene. We can update or alter these scenarios through resonating, familiarity, coolness or warmth. Like a jigsaw puzzle piece – turning it playfully to see where it might fit.

Triggers expose our traumas in the trigger light. Trauma is what shapes us: creating our uniqueness: quirkes, complexities. Never to be known by ourselves or others. To celebrate what is not provable or known takes skill and courage. Our fear would thwart us in this task.

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18. Labi Siffre

Watching Labi Siffre on Top of the Pops was a particular experience. He seemed out of time and place.
Himself, raw and vulnerable. It was almost too much in contrast to the other acts and the medium of television.

Black Gay Atheist Introvert Depressive – this all came across in his playing and voice.
He was brought up in a middle class household, privately educated. A family dominated by his overbearing Father. His mother invisible. Whom he chose to protect.

He lives in remote parts solitary composing with an urge to return to playing live. He claims that his home life is most important to him – that and his music. The only two things he felt he was good at. He retired from music to look after his partner through illness.

He didn’t like the limelight. He wasn’t mainstream. He shared cut ups with David Bowie. The hip hop world sampled his music. Including Eminem but forced him to change the homophobic lyrics.

He imbibes a kind of calm strong protest. From a life of dealing with his Father, and an unenlightened unsympathetic time.

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17. No Song

He turned to me and said, I havent written a song in three years.’ ‘Why?I said, Whats wrong?
He made a vague circling gesture with his hand taking in both of us, the swimming pool, the high hedge, the manor house, the apple orchard, the walled garden, the mare and foal, the swallows in the eves, our beautiful arboured wives, and the pure, blue sky itself and said, There is nothing to write about.’ Then he pushed off into the water.

Like the Great Gatsby a glimpse into lives of wealth, priviledge wrought in emptiness, & meaningless. How to connect to what is sold to us as success? To believe that wealth is not the answer is not convincing in this time of consumption. We are all corrupted by the idea of wealth with many still to be convinced that money is not the answer.

Human nature has always been gripped by the idea of money: a metaphor for safety. We are dominated by wanting to feel safe: but if our version of safety is unsafe we are doomed to repeat. Make more and more money to satisfy trying to feel safe.

Money is comforting & comfortable, but takes the edge of the rough surfaces of ourselves. The broken pieces, flaws, grooves and scars which make us. No Song Bryan

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https://www.theredhandfiles.com/they-say-never-meet-your-heroes-i-met-you-in-a-cafe-when-i-was-travelling-in-london-in-the-early-nineties-and-you-were-pretty-terrifying-but-unexpectedly-kind-to-me-and-funny-have-you-ever-met-a/

 

 

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16. Steve Albini

Steve Albini was an uncompomising individual. He screwed the outside world, impinging himself on the social.     
He worked as a music producer with the Pixies, Breeders, PJ Harvey, Nirvana. He was proper punk. He wasn’t interested in money or fame. He worked on an hourly rate like a plumber. No percentage cuts of albums etc

Ironically he was also a good poker player. A poker face. Perhaps it was all a pretence. Bands working with him were surprised at his support and his commitment to them, and what they were trying to create.

He was rude and obnoxious, but anyone could call up to work with him. He didn’t care. He would work with anyone. Later on he apologised for his mysogyny and ignorance. But his reputation remained intact: uncompromising, blue collar, punk.
Steve Albini 1962-2024

 

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